This is the most clear & concise article I've found on the recent decision regarding royalty rates and webcasters like us.
Put simply, by 2010, if we were to be broadcasting to 1,000 listeners (not even a huge audience compared to some internet broadcasters) we would have to pay $1.90 for EVERY SONG WE PLAY!
That would amount to $775.00 a day! Of course, if we reach a more modest goal of 100 listeners that would be $77.50 a day. Still FAR more than a non-commercial station can possibly afford.
I think the message from the ever greedy recording industry is pretty clear. They do not want small internet broadcasters providing wide content. They want to maintain the old school style of braodcasting where only corporations can broadcast and playlists remain limited to only a select few artists.
Doesn't seem like that's in the best interests of the artists, but then I doubt that's ever truly their top concern. It's just the cause they like to hide behind when pushing crap like this through.
I should point out however they do make a VERY GENEROUS exception for non-commercial braodcasters. If you broadcast to 18 or fewer listeners on average you can pay only $500.00 a year. Anything over that and you pay the regular fee's.
In other words, if we're willing to spend all our money buying the music, paying for webhosting, streaming and equipment to broadcast, and PROMISE not to try and recoup any of that cost, they'll give us a deal and only charge us $500 a year.
SO BIG of them, don't you think?
BY DANIEL MCSWAIN The Copyright Royalty Board (CRB) has announced its decision on Internet radio royalty rates, rejecting all of the arguments made by Webcasters and instead adopting the "per play" rate proposal put forth by SoundExchange(a digital music fee collection body created by the RIAA).
RAIN has learned the rates that the Board has decided on, effective retroactively through the beginning of 2006. They are as follows:
2006
$.0008 per performance
2007
$.0011 per performance
2008
$.0014 per performance
2009
$.0018 per performance
2010
$.0019 per performance
A "performance" is defined as the streaming of one song to one listener; thus a station that has an average audience of 500 listeners racks up 500 "performances" for each song it plays.
The minimum fee is $500 per channel per year. There is no clear definition of what a 'channel' is for services that make up individualized playlists for listeners.
For noncommercial webcasters, the fee will be $500 per channel, for up to 159,140 ATH (aggregate tuning hours) per month. They would pay the commercial rate for all transmissions above that number.
Participants are granted a 15 day period wherein they have the opportunity to ask the CRB for a re-hearing.
Within 60 days of the final determination, the decision is supposed to be published in the Federal Register, along with any technical corrections that the Board may wish to make.
Within 30 days of publication in the Federal Register, it can be appealed (but only by the participants) to the U.S. Court of Appeals of the District of Columbia.
You see this with all the old traditional businesses. Televised News Media, Print media, and expecially the recording industry. This insane desire to stop progress to protect the old distribution models.
When digital downloading first came out the Music Industy spent three years running in circles, trying to stop it. When they finally decided to get involved they tried charging $3.99 a download!
What a joke! At the time you could buy a cassette single or CD single for $1.99 or $2.99, and they wanted to charge MORE for the digital download! Nevermind they provided NO ARTWORK (or incurred any of the costs of producing said artwork), they provided NO ACTUAL PHYSICAL PRODUCT and they had next to NO DISTRIBUTION COSTS! They wanted to take the opportunity to rape the public and fatten their wallets even more than they already had.
While they were d*cking around with that BS Napster took off and wound up creating them a world of problems. Problems that could have been avoiding by teaming up with a Napster like service and offering REASONABLY priced downloads.
This is the same thing. This is them clinging to the old format they had better control over. It's going to cost them big time in the long run. But they're too stupid to see it. AGAIN!
The RIAA is hellbent on getting the price per song up over .99 particularly for established artists.
They think they're leaving too much money on the table right now.
Cutting their own throats I tell ya.
Surf Myspace. Artists are happier selling 50,000 CD's at $7 profit per disc than going through the hassles of a label and selling 500,000 CD's for .50 cents a disc.
The big time music industry companies will be in shambles ten years from now. Mark my words. I bet in the next five years your going to see a lot of mergers and a lot of bankruptcies.
Yes, it will cost them. There's always foreign markets with looser legal controls/enforcement that will find a way to take advantage of such things. And the internet makes them accessible. What is nice to see is that while all this goes on, there's a formidable counter-force to remove some of the restrictions on music sharing via internet. Google's been behind it for some time and making progress, using it as part of their future vision for free internet. Very clever plan they have in motion...free high speed internet to the public of they view a certain number of ads per time interval. The system would self-sustain through profits from advertising. Who'd pass up free high speed for such a mild inconvenience? Few people, I think, without some kind of perk resulting from their internet access investment.
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-- Heather: "I don't suffer from insanity, I enjoy every minute of it!"
There's also still a very faint glimmer of hope with the whole royalty situation too.
There are groups trying to convince the labels to do a percentage of profit charge, and they still hope that despite this decision the labels may be willing to go that route (using the current new standard as leverage).
So we'll see.
I was just reading that these rates only apply to the performance aspect. They still have to address the PUBLISHERS end of it all!
It looks to me like if things keep going in this direction, the "unsigned" independent artists who still have control of their own content will be the best off. They will be able to sell (or give away) their music however they want.
Now if only there was a service available to help independent artists handle their cd copying, internet sales, and distribution . . .
WebGuy wrote: It looks to me like if things keep going in this direction, the "unsigned" independent artists who still have control of their own content will be the best off. They will be able to sell (or give away) their music however they want.
Now if only there was a service available to help independent artists handle their cd copying, internet sales, and distribution . . .
Absolutely. That's why Hanson got themselves off their record label, and started their own. I think they're showing the way to go. The big corporate labels will be things of the past. With the Internet, fans can be connected to their bands, and buy CDs directly from them.
Excerpt from article: Authenticity…Through the Lens of Music By: Mike Karam ate: 9/28/2004 With a credible reputation among the industry’s most talented artists, Hanson has what it takes to lead this industry back from the detached ledge in which it has settled. In order to maintain their creative vision, Isaac, Taylor, and Zac decided to part ways with their former label Island Def Jam in 2003, and create their own independent label, 3CG Records. Indie-minded from the beginning, 3CG enables Hanson to stay true to themselves; they can create the music they wish to create, deliver it through whichever platform they wish to deliver, and cultivate their sincere relationship with their devoted fans. This progressive mentality yet again illustrates how these guys are true pioneers of rock.
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"Tell me, does it move you, Does it soothe you, Does it fill your heart and soul with the roots of rock & roll? When you can't get through it you can listen to it with a 'na na na na', Well I've been there before" -"Been There Before" by Hanson
WebGuy wrote: It looks to me like if things keep going in this direction, the "unsigned" independent artists who still have control of their own content will be the best off. They will be able to sell (or give away) their music however they want.
Now if only there was a service available to help independent artists handle their cd copying, internet sales, and distribution . . .